Looking into taking the next step - kitless pens

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NGLJ

Member
Joined
Sep 15, 2021
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355
Location
Surrey BC, Canada
I am sure that I am nowhere near the last who feels that just making "more" pens, however many variants that there are, is not that exciting. It isn't as if I don't have plenty of ideas or plans but I always relish a challenge. I have watched enough Utube videos to get an idea about what making kitless pens entails. I have a good selection of drill bits, and taps and dies. It would be helpful to know which sizes that I am most likely to need. Also, I am looking for a recommendation for a tailstock 2MT sliding die holder that works with the die sizes that I would need. I am not trying to make high end pens to sell. I am simply trying to satisfy my endless curiosity (a blessing and a curse :)), and push myself to the limits of my ability in my remaining years. There are those who might say, "do you really know what you are getting into?", and they might be correct. I have never been one to shy away from a challenge until I master it, or until it masters me! All help is most gratefully received.
 
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I was also going to suggest Rick Herrell. I recently bought one of his ER32 Collet based sliding tap and die holders. It is far superior to the one I had that used "drill chuck" style tap holders. - Dave
 
Thanks to all for the great help! You have given me a lot to think about.
Same stage of life here. Just made my second crafted pen with moderate success.

I suggest watching two YouTube creators to give you a good head start. RJB Woodturners (Bob Blanford) has a video dedicated to what you will need to get started as well as a number of great videos on how to do it. Chad Schimmel of Turners Warehouse also has a series of videos on taking a crafted pen from the tooling to videos focusing on just the parts as you make it.

As for a sliding holder, I recommend Rick as well, or purchase a Niell's Niche holder from other sources. You will potentially need all three die holders as well as the tap holders for the slider. Lastly, purely luxury tool, but I love mine, is the Tenon Cutter from Heinze Pens. Is a great time saver and is super accurate for getting good threads.

Kevin
 
Do you have a particular size in mind? I can list the drills I use if you have a particular size in mind.
 
I am sure that I am nowhere near the last who feels that just making "more" pens, however many variants that there are, is not that exciting. It isn't as if I don't have plenty of ideas or plans but I always relish a challenge. I have watched enough Utube videos to get an idea about what making kitless pens entails. I have a good selection of drill bits, and taps and dies. It would be helpful to know which sizes that I am most likely to need. Also, I am looking for a recommendation for a tailstock 2MT sliding die holder that works with the die sizes that I would need. I am not trying to make high end pens to sell. I am simply trying to satisfy my endless curiosity (a blessing and a curse :)), and push myself to the limits of my ability in my remaining years. There are those who might say, "do you really know what you are getting into?", and they might be correct. I have never been one to shy away from a challenge until I master it, or until it masters me! All help is most gratefully received.
Tap and die selection will depend on the size of pens you wish to make. M15 will be for very large #8 size nibs. The more common options are M13 with M10 for #6 size nibs or M12 and M9 for #5 nibs. The tap size of the nib thread will depend on the nib itself.
 
Tap and die selection will depend on the size of pens you wish to make. M15 will be for very large #8 size nibs. The more common options are M13 with M10 for #6 size nibs or M12 and M9 for #5 nibs. The tap size of the nib thread will depend on the nib itself.
Still very much learning about what is needed. I don't have many specifics in mind right now. I think I will start with a rollerball for simplicity, and use it as basic practice with the taps and dies. Fountain pens are clearly more complex given the different nib options.
 
If you are just getting started and not sure if it is something you will really enjoy, I second Kevin's (@NJturner) recommendation to look up RJBWoodturner (Bob Blanford) on YouTube. He has a few great videos on "Bespoke on a Budget" where it uses minimal specialty tools and single start taps and die to keep cost down.
 
Look up Rick Herrell's (@rherrell) Tool Catalog.

He has a very reasonable MT2 sliding ER32 Collet holder that you can use to hold die holders and taps.

He can also make you mandrels (cap, barrel and section) as well as step drills for the Nib Assemblies.

ALL of his stuff is top notch and he makes and ships very quickly!!
I recently switched to Rick's sliding collet holder and couldnt be happier. I used a different brand before and just like the feel of this much better. No relation to Rick, just a very happy user of his tools.
 
I recently switched to Rick's sliding collet holder and couldnt be happier. I used a different brand before and just like the feel of this much better. No relation to Rick, just a very happy user of his tools.
100% agree Frank.

I also had another brand before and like Rick's better. I think that the ER32 collet setup is superior and even use it, with the appropriate size collets to hold the taps.
 
I took the advice to watch some of Bob Blanford excellent videos, and decided to try his "Bespoke on a Budget" to get started. After the expected initial frustrations, I have managed to make my first very modest desk pen (see attached). Like many of our activities it didn't quite turn out as I had originally intended! For example, I got too thin on the end of the body and it snapped off. So I had to improvise and make a cap. Also, the nib sticks out perhaps a couple of mm to far. I tried to "make do" without making the mandrel that Bob recommends, and that was the source of some of my problems. Lesson learned. I will get it right next time.
 

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I look at it this way - you successfully brought the pen to completion - yes, maybe a few design challenges along the way but you did it! There is a lot of broken pen parts in a bucket near my lathe from things that went boom, despite my best efforts - I count them as learning experiences!

Nice job! Keep it as a progress measure.

Kevin
 
I look at it this way - you successfully brought the pen to completion - yes, maybe a few design challenges along the way but you did it! There is a lot of broken pen parts in a bucket near my lathe from things that went boom, despite my best efforts - I count them as learning experiences!

Nice job! Keep it as a progress measure.

Kevin
Thanks Kevin. Your encouragement is much appreciated. Onward and Upward! The IAP is a great place to get supportive advice and learn without feeling judged.
 
Thanks Kevin. Your encouragement is much appreciated. Onward and Upward! The IAP is a great place to get supportive advice and learn without feeling judged.
Agreed - and I hope it stays that way!

I am very excited to be meeting Bob Blanford and a number of other makers this weekend at the MATES event in Manassas, VA. Bob is one of the featured speakers and I plan on making sure I get to say hello. If I learn anything interesting regarding his plans or upcoming videos, I will be sure to post it on IAP.

Keep turning!!

Kevin
 
Agreed - and I hope it stays that way!

I am very excited to be meeting Bob Blanford and a number of other makers this weekend at the MATES event in Manassas, VA. Bob is one of the featured speakers and I plan on making sure I get to say hello. If I learn anything interesting regarding his plans or upcoming videos, I will be sure to post it on IAP.

Keep turning!!

Kevin
I am so Jealous!!! - Dave
 
Are there preferred plastics for turning bespoke pens? Do people mostly purchase or make their own plastic blanks?
I think every pen maker has their preferences, mine are based on the threading characteristics of the material.

For example, Inlace Acrylester is a b*tch to thread, as are many polyester resins. On the other end of the scale, meaning very friendly to drill and cut threads, you have Alumilite and ebonite (hard rubber). Tim McKenzie sells a casting resin that feels a lot like Alumilite, he uses it in the DiamondCast blanks that he makes. Acrylic acetate (PMMA, Lucite, often abbreviated to "acrylic") is the standard material for off-the-shelf blanks from PennState and many other vendors - it's usually easy to work with. Epoxy resins can be okay, sometimes they are kind of soft and a bit bendy (that might just be my poor attempts at casting them, others might do much better.)

Then there are materials which are a joy to use because of their history - cellulose nitrate (celluloid) and cellulose acetate (ceblox, which Mazzucchelli sold under the brand name Cebloplast), galalith (sometimes called casein), and others. They can be difficult to work with because they are sensitive to heat and/or water, and can be expensive. But the satisfaction and pleasure when you get to the finish line is wonderful.
 
I think every pen maker has their preferences, mine are based on the threading characteristics of the material.

For example, Inlace Acrylester is a b*tch to thread, as are many polyester resins. On the other end of the scale, meaning very friendly to drill and cut threads, you have Alumilite and ebonite (hard rubber). Tim McKenzie sells a casting resin that feels a lot like Alumilite, he uses it in the DiamondCast blanks that he makes. Acrylic acetate (PMMA, Lucite, often abbreviated to "acrylic") is the standard material for off-the-shelf blanks from PennState and many other vendors - it's usually easy to work with. Epoxy resins can be okay, sometimes they are kind of soft and a bit bendy (that might just be my poor attempts at casting them, others might do much better.)

Then there are materials which are a joy to use because of their history - cellulose nitrate (celluloid) and cellulose acetate (ceblox, which Mazzucchelli sold under the brand name Cebloplast), galalith (sometimes called casein), and others. They can be difficult to work with because they are sensitive to heat and/or water, and can be expensive. But the satisfaction and pleasure when you get to the finish line is wonderful.
Thanks for the excellent info. I had no idea that there were so many possibilities. I can understand the importance of threading especially where there will be a thin wall. I am pleased that I asked.
 
My Quilt Pen - I have been "trying" to make a "bespoke" pen with a cap for the past few days. There were many occasions when it nearly made it into the "garbage bin". However, recognizing that you often learn the most by fixing your mistakes, I persevered, and did get to the end. In the process I ended up with my Quilt Pen, being made up of various pieces to fix my mistakes. It isn't pretty but it is a bespoke pen with a cap. I doubt that anyone would set out to make such a pen!
 

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Congratulations on powering through that first pen! My first kitless was also a mutt.

You wan watch a zillion YouTube videos, read everything available here, and talk to may makers, BUT you will learn the most by making and more from the challenges than the ones that go smoothly.

Keep up the good work!
 
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