What makes a quality pen?

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Daniel

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I was not sure just where to post this thread, so I put it here.

there is a seemingly never ending conversation about the "quality" of materials we have available. (namely kits)

the Phrase (cheap kits) has become so common that for the most part it requires no explaination.

When I first started making pens. "cheap kits" refered to slimlines with 24k gold plating. now it means anything less than Ti gold, regardless of kit style.

Besides plating material and quality of the plating. what factors determin a quality pen.

It seems that we compair one kit Vs. anouther kit. But how do our kits compaire to name brand pens? have you ever compaired a slimline to a cross?

what determins a quality transmission? are there better ones and if so where?

I ahve watched the development of the higher priced kits. Does higher price mean higher Quality? I have seen tones of bugs ge worked out in these quality high priced kits. most of them are in there second, third or even fourth generation. does this result in better quality? If so why?

I have people from work bring me all sorts of pens to be repaired. I am usually amazed at how they are assembled and the materials in them.
usually the weight is the first thing I will notice. most pens are very light compaired to what I make. the materials are much thinner. I have often thought that the material in most pens I see weigh less than the brass tube I use in mine. I can usually take any of these pens apart with my bare hands, they are either press fit with a very loose fit or threaded. the internal workings are poor to the point of actually being fragile, mostly plastic and operate anything but smoothly. most of the parts have not even been made to fit each other.
flash from being molded are still on them etc. most internal parts wil only stay together when the pen is actually assembled, when you take the pen apart they simply come tumbling out. what I have described above is what I consider a cheap pen.
I have had several pens brought to me that the owner received as a gift. These are the ones that where bought from Office Supply Stores or gift shops and are ment to be lifetime pens. these pens usually begin to look and feel like I would expect a pen to feel like. nearly always they are assembled much like a slimline or other pen we make would be. the transmission looks and feels familiar. often the enternal workings are loose and you can hear them rattle when the pen is assembled. When you write with them you can actually feel the refill move in side the body of the pen. still the pen fills light in comparison to what I make. comments form people I have asked to use my pen or loaned my pen to is that the heavier weight of my pens is better. I have noticed that the clips on these store bought pens are usually stronger and more securely mounted. the finish on most of them does not hold up any better or or even as well as the plating on my pens.

I am not questioning that we ahve better and worse kits available. I am wondering when you say "cheap kit" jsut waht sort of scale are you using to determin it is cheap.

founatin pen lovers can eat this thread up, I would like to see ballpoint and rollerball users be able to do the same.
 
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Daniel said, in part, "I have people from work bring me all sorts of pens to be repaired. I am usually amazed at how they are assembled and the materials in them.
usually the weight is the first thing I will notice. most pens are very light compared to what I make. the materials are much thinner. I have often thought that the material in most pens I see weigh less than the brass tube I use in mine."


Daniel, I have to agree. There is a store in Little Rock that specializes in 'fine' pens. And, I have a friend who buys her expensive pens there. The ones I have seen are very-very light in weight. My friends pens show wear on metal parts and the pen itself after a relatively short period of use. The barrels are made of what they term 'lacquer'. Some sort of synthetic. She is yet to buy one of my pens. She will try them in her hand and give back. It might just be that some folks like a featherweight pen and we (and our kit suppliers) are not meeting that market demand. I dunno. But my observations seem to validate yours.
 
Interesting set of observations from you both. I think a lot of the "fine pens" have a snob value attached to them. I have nodoubt that the Very best of the high end brands a superb pices - BUT are they (being anywhere from 5 to 20 times as costly as our pens) 5 to 20 times "more superb" ? I think not!
When I first began Turning pens I made some as giftsfor family and friends. All were amazed at how beautiful they were and how good the quality was. Most found it difficult to believe they were hand made.
I was amused when one relative declined the offer of a pen for her daughter because "she has Mont Blancs, why would she want one of yours." The tune changed after seening them but alas the opportunity had passed![:D][:D][:D]
 
Originally posted by R2
<br />Interesting set of observations from you both. I think a lot of the "fine pens" have a snob value attached to them. I have nodoubt that the Very best of the high end brands a superb pices - BUT are they (being anywhere from 5 to 20 times as costly as our pens) 5 to 20 times "more superb" ? I think not!
When I first began Turning pens I made some as giftsfor family and friends. All were amazed at how beautiful they were and how good the quality was. Most found it difficult to believe they were hand made.
I was amused when one relative declined the offer of a pen for her daughter because "she has Mont Blancs, why would she want one of yours." The tune changed after seening them but alas the opportunity had passed![:D][:D][:D]

That 'relative' must have been an in-law. [:p]
 
Talk about a snob[}:)][;)].



quote]Originally posted by R2
<br />Interesting set of observations from you both. I think a lot of the "fine pens" have a snob value attached to them. I have nodoubt that the Very best of the high end brands a superb pices - BUT are they (being anywhere from 5 to 20 times as costly as our pens) 5 to 20 times "more superb" ? I think not!
When I first began Turning pens I made some as giftsfor family and friends. All were amazed at how beautiful they were and how good the quality was. Most found it difficult to believe they were hand made.
I was amused when one relative declined the offer of a pen for her daughter because "she has Mont Blancs, why would she want one of yours." The tune changed after seening them but alas the opportunity had passed![:D][:D][:D]
[/quote]
 
I showed some pens to my (now retired) high school physics teacher ( early '60s) last spring when I was home for a month. He liked what I showed him but he also said he loved thin and light pens. Some people just like light and small.
 
My mom is usually the first one after me to touch my pens, when I am done with them, she prefers the slimlines, likes the light weight.

My dad and I on the other hand(pun intended) like the heavier weight of anything from a Euro or bigger.

Most of my friends like the heavier weight, different strokes for different folks.

Rick
 
My wife won't use any of the heavier pens I make. Only a B2B slimline will do for her (how boring).

When someone asks about my pens, I have them write with several of them, then decide on the type they want. Everyone has differing taste and sometime they don't know that they prefer something else until they have it in their hand.

People with large hands or people with artritis (sp?) tend to like the larger/heavier pens since they are easier to grip. Others like my wife. etc. etc. Different strokes.....

As far as what make a pen cheap. Everything. Components, fit, finish, platings, and workmanship. As I mentioned to a friend at work that is all about names, Mont Blanc used to be a great pen. Now they are mass manufactured pens with a high dollar name. There is a reason that I'll never be able to turn this into a 10000 unit per year business. My hand has to work each pen I put my name on.
 
What makes a quality pen? That’s simple, take quality components and do a quality construction followed by a quality finish!

I think too many on this and other pen forums have convinced themselves that just because they don’t do slim lines anymore, that they are somehow inferior to the “high end†kits they now make. Somewhere along the line they started believing that the $2.10 kit is inferior junk while their $4.70 kit is of premium quality as if $2.60 is going to make that much difference!

I have even read where some knock the “Chinese junk†and tout that the kits they buy from vendor XYZ as being superior, not realizing that those kits came from China or Taiwan as well!

Just because someone can afford to buy a $40 kit then slap it together with out-of-round barrels, poor glue joints and a finish that’s full of scratches, doesn’t mean that pen is a quality pen worthy of a $200 price tag and yet we see it every day!

To me, a kit with plating that won’t rub off the first month of use that is carefully assembled with an eye on detail rather than on the clock stands a far better chance of becoming a quality pen, regardless of what the kit is called.
 
a few thought i had after reading tex's post.
what makes up quality components?
Plating of components has been tested, documented, fairly well agreed upon etc.
tex's comment caused me to think about what lies under the skin of our components. Does the metal used in a slimline nib differ from the Gentlemens pen nib?
the brass tube is pretty much a brass tube I would think.
is more attention paid to the tolerances while casting parts for a stateman than the parts for a cigar pen?
Does the extra decoration on the cap, clip, center band, and finial of the higher priced kits make them better quality?
is a mounted center band,(one pressed into or onto the lower barrel of the pen) better quality than the one on the slimline pen?
just more food for thought.
 
Weight is important. My larger pens all pull on the pocket. They still feel great in the hand and write wonderfully.

Quality. Tough subject. Perception is reality. I take my $400 MontBlanc fountain pen and one of my Robusto fountain closed end fountain pens. I pick each up end my hands, close my eyes and 'feel' each pen. The tolerances and fit of my hand crafted pen are closer than the machined store bought pen. My pen does weigh more, but I think this is just the particular kit. Both have a nice quality two-toned nib and fine componenets. I may be biased, but the craftsmanship of my pen is better than MontBlanc's.

Overall, the fit and finish of my pens are usually better than named brands you see in stores. There are small, little details that I do to refine the quality of my pens, such as polishing and chamferring the internal leading tube edges before turning and assembly. As far as pen component quality, the two outstanding characteristics I have difficulty in matching to the quality of the store brand is the plating durability and, for fountain pens, nib quality.

I don't have the name recognition than that of Montblanc, Waterman, Esterbrook, etc, etc, which is what many people are drawn towards. People recognize the name. The perception of quality is tied to the name. The perception of Ferrari, Jaguar, and Maserati are that they are top quality cars. A mechanic will argue the point with you. Price does equate to quality.

To me, a quality pen is one created with fine craftsmanship and durable, quality components. The material-composition selection are very important, but the final product's look and feel plays more in the perception of quality than merely having a rare and unique wood or material.

Well, that's more than 2 cents worth.......
 
Great topic Daniel!

For the pens we make, what "makes" a quality pen?

A durable plating. Yes, titanium and rhodium are very durable, but I also consider chrome to be durable, and it is one of my favorite platings.

Interesting material. Considering that with the use of CA Glue and Polyester Resin you can pretty much turn a pen from anything, I find that I place more importance in a material that has some visual interest. Wood is still high on my list, but I am not that picky as to what it is, as long as it has some visual interest.

Skilled turning. A lot of things go into this. Turning precisely, an eye for symmetry, a nod to the unconventional, and a nice finish.

The package. By this I mean how it all comes together. Some platings are great, but don't go with all materials. There is some skill to putting together the whole package.

Notice there aren't a lot of specifics here. That's because there are lots of ways to make a quality pen. Don't be fooled into thinking that just because the purchased parts are expensive that it is a quality pen. But don't shy away from the expensive components either - if that is the pen you want to make, then make it a "quality" pen!

Now if you are talking about the quality of commercial pens, that is a different matter, and I might stop back later to comment on that (but it's time for me to go home now - Bye!)

Scott.
 
I also see one of the most variable points in our kits is the refil that is included. this is also one of the things that is easiest to upgrade.
What refills do you prefer to fill your pens with?
 
I also see one of the most variable points in our kits is the refil that is included. this is also one of the things that is easiest to upgrade.
What refills do you prefer to fill your pens with?
 
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