Thanks Mudder,
I always get a headache when I have to think too hard - and the technical use of tools, grinds and cutting terminology is on the top of my head-hurt list...but here goes:
There’s nothing special about the skew I’m using. The tool does have to be sharp and you do have to be careful to avoid getting the leading or trailing points/edges from digging into the piece.
The best way to describe how I’m using the skew is to envision the bevel, leading to the cutting edge, riding on the surface of the piece, and then bringing the cutting edge down to meet the piece while keeping the bevel as much on the piece as possible...kind of like a knife cutting the skin off an apple and not digging into the meat too much. I think what’s really happening with this approach is the maximum mass of tool metal is touching the piece and thus vibration (chatter â€" shattered glass effect) is minimized...deep physics, huh?
The absolutely most important thing, however, is to find what works best for you. If you’ve mastered resin turning with a gouge, that is 100% ok and a tremendously admirable thing.