So I'm trying to figure out how to do that shot solo. Esp if you're like me and don't have eyes on long tentacles (one eye on the turning and one eye on the viewfinder?) and three hands. Tripod and 10 sec timer? Nice pic. I can see benefits here!
Macro lens of choice is the Canon EF-S 60mm F2.8, closest focus 7 3/4" attached to Canon 60D.
Second pair of steady hands is great asset if available. Otherwise, sturdy tripod, remote shutter control, 10-sec delay, vari-angle LCD monitor makes solo set ups much easier.
oh yeah, Richard, great shot
Scott, just got the Sigma 24 Macro for my Macro lens library, nice lens, although the manual focus clutch is a little "clunky", seem to get closer shots than what was published. $550 is a lot less than the 2 grand for the Nikon version, plus the Sigma is Macro, faster, and lighter in weight and size.Lots of light and a fast shutter speed = curls have stopped(almost).
All I have is the Sigma EX APO 50mm f/2.8 Macro(which is actually a 75mm on my Sony). I'd really like to see SANTA bring me a Sigma 24mm F1.8 EX DG ASP Macro....but I'm not holding my breathe.
Scott (great score on that lense) B
Macro lens of choice is the Canon EF-S 60mm F2.8, closest focus 7 3/4" attached to Canon 60D.
Second pair of steady hands is great asset if available. Otherwise, sturdy tripod, remote shutter control, 10-sec delay, vari-angle LCD monitor makes solo set ups much easier.
oh yeah, Richard, great shot
Thanks. This is a new lens from Nikon that just came out this past Fall. I am shooting with it on a D70. The info says closest focus is 6.4" which is probably true as I played with it today.
Scott, just got the Sigma 24 Macro for my Macro lens library, nice lens, although the manual focus clutch is a little "clunky", seem to get closer shots than what was published. $550 is a lot less than the 2 grand for the Nikon version, plus the Sigma is Macro, faster, and lighter in weight and size.Lots of light and a fast shutter speed = curls have stopped(almost).
All I have is the Sigma EX APO 50mm f/2.8 Macro(which is actually a 75mm on my Sony). I'd really like to see SANTA bring me a Sigma 24mm F1.8 EX DG ASP Macro....but I'm not holding my breathe.
Scott (great score on that lense) B
Once I figure out what all the buttons and knobs are for maybe I'll be able to get some decent photos.
A lack of depth of field can be an issue with macro lenses so a flash really helps. Typical F-stop for me is F16 or higher. I use a coiled remote cable to take the flash out of the hot shoe and put the light where I want it.
I just got my 50mm f/1.8 Canon lens. I can't wait to try it when I am able to use my lathe. I'd love a 24-70 though. :drool:
A lack of depth of field can be an issue with macro lenses so a flash really helps. Typical F-stop for me is F16 or higher. I use a coiled remote cable to take the flash out of the hot shoe and put the light where I want it.
Flash, as far as I know, does not effect DOF at all. It freezes motion, but does not effect DOF. Aperature plays a roll in lighting, but that's another read. f/16 is quite the large DOF, which is needed for showing off your work...but have you tried something like f/4 or 5.8 or even 8? This will give you a shorter DOF but still keep your subject in focus if you are using single point AF.
It's good to get your flash off camera, hot shoe flash is not something to stick with if your able to set things up in different orientations.
A lack of depth of field can be an issue with macro lenses so a flash really helps. Typical F-stop for me is F16 or higher. I use a coiled remote cable to take the flash out of the hot shoe and put the light where I want it.
Flash, as far as I know, does not effect DOF at all. It freezes motion, but does not effect DOF. Aperature plays a roll in lighting, but that's another read. f/16 is quite the large DOF, which is needed for showing off your work...but have you tried something like f/4 or 5.8 or even 8? This will give you a shorter DOF but still keep your subject in focus if you are using single point AF.
It's good to get your flash off camera, hot shoe flash is not something to stick with if your able to set things up in different orientations.
The flash provides enough light to use F-Stops that keep the entire subject in focus. The DOF with the lenses wide open means at f/4 is less than the thickness of a dime or just the eyes on a bugs head or just part of a flower. Moving the flash around also allows me to control where the light comes from and how light illuminates the subject. Just a little more creativity.
So I'm trying to figure out how to do that shot solo. Esp if you're like me and don't have eyes on long tentacles (one eye on the turning and one eye on the viewfinder?) and three hands. Tripod and 10 sec timer? Nice pic. I can see benefits here!