Finishing (Sanding/Polishing) with Alumilite Clear Slow

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freshmaker

Member
Joined
Oct 31, 2022
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15
Location
Whitby, Canada
Hi folks,

I'm hoping to tap into your collective and generous knowledge to try and tackle my finishing problem. I've been searching around reading various threads about sanding and buffing pens, but haven't found anyone encountering the same problem when sanding/polishing resin. Please redirect me if I've missed a thread you know of that addresses this! (I was hoping this thread (Tips and tricks for high gloss with Alumilite Clear Slow blanks) would have an answer based on the title, and while there is some good stuff there, it's mostly focused on the shine, and not removing scratches).

Here's the main issue: After sanding down to 12000 grit micro mesh (or 22,000 with Zona), and polishing with SPB Magic Juice, I get an amazing glossy shiny finish, but when I shine a light on the surface, I can still see sanding scratches (Because I wasn't able to actually sand down to the aforementioned grits).

Some additional points I've found along the way:
- I looked at the "Finishing" section of the Library and didn't see anything there (I only just found out there was a Library, very very useful!)
- I found Jon Rista's sanding guide which is a treasure trove of information, though also seems geared more towards wood (he does clarify some differences when sanding resin which is helpful) and I have adopted many of the steps he outlines.
- Based on some posts I've read, many people have also mentioned that Alumilite is a polyurethane, and thus is softer than some other types of resin which makes it harder to get rid of sanding marks, which I didn't know. This might be the biggest reason for being unable to get a glass-like finish.

If you're still reading, for some context on where I'm coming from, I started making kitless (or custom) pens about 1.5 years ago; not very long in the grand scheme of things, and it's so fun it's basically the only thing I think about anymore! I love the creative process of making my own blanks as well, so as mentioned, I'm using Alumilite Clear Slow. Reason being I tried a bunch of other epoxy products and none of them threaded as nicely as the Alumilite. I'm using carbide tools (would love to use a skew but it 'bounces' in the middle of a pen blank where there's less support than at the lathe centers - I'm sure I'm doing something wrong) so the result is quite smooth already. I started out dry sanding from 400/600 grit and then using the micro mesh pads, wet sanding from 1500 to 12000. But this always left radial scratches. I then learned that alternating between sanding laterally by turning the lathe with your hand, and sanding with the lathe spinning, will allow you to 'see' that you've removed all previous scratches before moving on. Around the time I learned this, I also moved onto Zona paper to give that a go, and have used that for quite a while with good results. But not great results. Someone asked me to make a plain solid burgundy pen, and it's so easy to see every single scratch in the right light. I've been spending hours and days and weeks trying to polish this thing to a level I'm proud of. The problem with both micro mesh and Zona paper is that I hit a certain level and then can't completely remove the previous grit. With Zona paper, I only just realized that the jump from light blue (1800) to pink (8000) is quite large, not following the rule of using no larger than 50% of the previous grit, so it's no wonder I've been unable to completely remove the 1800 scratches. After this realization, I went back to micro mesh, since they have many intermediary grits, but once I get up to 6000 grit, I still can't remove the previous 4000 grit scratches completely, even after 30 minutes of sanding with 6000 (I tried sanding laterally with 4000 until all previous sanding marks were gone, so I could sand with the lathe spinning at about 800 rpm using 6000 grit, but that didn't work. I tried sanding with 6000 at 2000 rpm using a spray bottle to keep it cool, and even that didn't do the trick).

One night I had what I thought to be a brilliant idea to use my work sharp belt sanding tool grinder to sand laterally as a way to brute force remove any previous grit, and it worked in the sense that it was faster than sanding laterally by hand, but once getting to the higher grits it wasn't removing the previous ones - though in this case I didn't have belts that followed the 50% rule. So then I had an idea to attach sandpaper to my drill, which apparently is something I've since discovered a lot of people do, and there's even kits with velcro pads you can attach to a disc you chuck up in the drill. I tried this with an Amazon kit that had 1200 / 2000 / 3000 / 5000 / 10,000 grit pads, but still no luck.

I continued research and discovered some people use something called passive sanders. Rather than rely on a drill/dremel tool to spin the sandpaper, you allow the lathe to spin the blank which then spins the sandpaper disc (just attached to a handle via ball bearing) so I've tried this as well (alternating between the passive sander and just sanding on the lathe so I can see the difference in the line patterns to know when the previous grit is removed) but again can't remove the previous grit around the 6000 mark (rather than use the Amazon pads, I bought some real micro mesh Velcro pads that I cut into 2" circles and attached to the passive sander).

I've attached some pictures of the results of using the passive sander, going up to 12,000, but not being able to remove all of the previous grits from around 6000. I used the Magic Juice on it to see what would happen, and as you can see it's shiny, but the sanding lines are still visible. My wife thinks it looks great, but I think anyone who really cares about getting a quality finish will know it could be better - so I'm hoping someone can help me figure out how to make it better!

I'm terribly sorry for the wordy post. I just don't know how else to communicate all the things I've tried.

Have a great day!
 

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I've looked at your pictures and I can't say I have ever experienced this. I don't know if it helps at all, but I can give you a brief rundown of the sanding procedures I use on Alumilite Clear Slow (as well as all other) resin blanks.

I turn using carbide tools, and I have found that most of them leave a relatively scratch free finish. I usually don't dry sand the blanks at all, but if I think it is necessary I start with 600 grit backed by a hard surface, usually a different pen blank. I back it so that any low areas become apparent as they appear shiny from the sandpaper not touching them. Then I follow with 800 grit. I use very light pressure when I am dry sanding with my lathe at about 1000 RPM. Then I shut it off and sand laterally (with the grain so to speak) to get rid of any radial scratches.

I use the MicroMesh, wet sanding using the same - lathe on, then lathe off method. I only sand about 20 to 30 seconds with each pad (until I get to the last couple, then I spend a little more time). I use tap water with two drops of Cascade rinse agent (the dishwasher stuff) as a lubricant and wetting agent.

Often I stop after MicroMesh, but I have recently started applying one or two thin coats of GluBoost Ultra-Thin Fill and Finish, followed by the Magic Juice polishing. The purpose of the CA overcoat is simply to provide a more durable surface than Alumilite has.

Very rarely, but occasionally, I finish everything up by buffing with a blue compound on the first wheel (the stuff from PSI), and a more tightly sewn buffing wheel - cotton I think. The next wheel is a loosely sewn flannel wheel which is for buffing it up only.

All I can suggest is to skip the dry sanding on a blank and jump right to the MicroMesh and/or Magic Juice, to see if it turns out any better.

Regards,
Dave
 
Alumilite Clear Slow is a urethane resin and not an epoxy resin. The longer you leave it to cure the better it will polish. When I cast with Alumilite Clear Slow I leave the blanks for a week or longer ( usually longer) before turning. The harder the resin the better the shine. Do you sand length wise between grits?
Do a good turn daily!
Don
 
Urethane resins are softer so getting a high gloss finish will take time and experience. I've found it easier to apply a Gluboost CA fill and finish over the resin and then micromesh. The CA is harder and will finish easier and hold a shine longer than the naked resin after normal use.
I sand up to 600 grit, then use #0000 steel woool with the lathe on high, then wet sand with all 9 grits of micromesh, then plastic polish/ or ultra fine Yorkshire grit and then off needed buff on the 3 step buffing wheel. It sounds like a lot but i find it to be a quick process with great results.
 
In addition to the characteristics of urethane, the starting point of SP grits make a difference too, because even then, it is quite subjective. There are many opinions on sanding and sanding grits and I have one also. You mentioned starting with 400 or 600. The degree to which the 400 or 600 (or 1200 MM) are gripped at the beginning - can inflict deeper cuts and require longer sanding times with each succeeding levels to get the swirls/scratches out. Light touches with longer times keep from inflicting the deeper scratches.

Subjectivity in the griping force is often overlooked. The degree of force to which each individual grips the SP is rarely discussed, but it can vary greatly from individual to individual. But it can certainly make a difference in the outcome.

When it comes to pens, a very sharp tool can smooth the blank to the point that it is OK to start with an equivalent of 800 or higher. This in itself, will cut down on the swirls and scratches.

But as JohnU and Don both mentioned urethane takes longer to cure for the hardness factor that is needed.
 
In addition to the characteristics of urethane, the starting point of SP grits make a difference too, because even then, it is quite subjective. There are many opinions on sanding and sanding grits and I have one also. You mentioned starting with 400 or 600. The degree to which the 400 or 600 (or 1200 MM) are gripped at the beginning - can inflict deeper cuts and require longer sanding times with each succeeding levels to get the swirls/scratches out. Light touches with longer times keep from inflicting the deeper scratches.

Subjectivity in the griping force is often overlooked. The degree of force to which each individual grips the SP is rarely discussed, but it can vary greatly from individual to individual. But it can certainly make a difference in the outcome.

When it comes to pens, a very sharp tool can smooth the blank to the point that it is OK to start with an equivalent of 800 or higher. This in itself, will cut down on the swirls and scratches.

But as JohnU and Don both mentioned urethane takes longer to cure for the hardness factor that is needed.
As Hank indicated, the force applied when sanding is indeed an important part of the process, especially when dry sanding - and perhaps when wet sanding with standard papers (not foam backed). After all, sandpaper is essentially a cutting tool. I think the foam backing on MicroMesh (as well as other brands of polishing pads) might help cushion or dampen the force that is being applied so it is less prone to leaving deep, visible scratches. - Dave
 
Hi folks,

I'm hoping to tap into your collective and generous knowledge to try and tackle my finishing problem. I've been searching around reading various threads about sanding and buffing pens, but haven't found anyone encountering the same problem when sanding/polishing resin. Please redirect me if I've missed a thread you know of that addresses this! (I was hoping this thread (Tips and tricks for high gloss with Alumilite Clear Slow blanks) would have an answer based on the title, and while there is some good stuff there, it's mostly focused on the shine, and not removing scratches).

Here's the main issue: After sanding down to 12000 grit micro mesh (or 22,000 with Zona), and polishing with SPB Magic Juice, I get an amazing glossy shiny finish, but when I shine a light on the surface, I can still see sanding scratches (Because I wasn't able to actually sand down to the aforementioned grits).

Some additional points I've found along the way:
- I looked at the "Finishing" section of the Library and didn't see anything there (I only just found out there was a Library, very very useful!)
- I found Jon Rista's sanding guide which is a treasure trove of information, though also seems geared more towards wood (he does clarify some differences when sanding resin which is helpful) and I have adopted many of the steps he outlines.
- Based on some posts I've read, many people have also mentioned that Alumilite is a polyurethane, and thus is softer than some other types of resin which makes it harder to get rid of sanding marks, which I didn't know. This might be the biggest reason for being unable to get a glass-like finish.

If you're still reading, for some context on where I'm coming from, I started making kitless (or custom) pens about 1.5 years ago; not very long in the grand scheme of things, and it's so fun it's basically the only thing I think about anymore! I love the creative process of making my own blanks as well, so as mentioned, I'm using Alumilite Clear Slow. Reason being I tried a bunch of other epoxy products and none of them threaded as nicely as the Alumilite. I'm using carbide tools (would love to use a skew but it 'bounces' in the middle of a pen blank where there's less support than at the lathe centers - I'm sure I'm doing something wrong) so the result is quite smooth already. I started out dry sanding from 400/600 grit and then using the micro mesh pads, wet sanding from 1500 to 12000. But this always left radial scratches. I then learned that alternating between sanding laterally by turning the lathe with your hand, and sanding with the lathe spinning, will allow you to 'see' that you've removed all previous scratches before moving on. Around the time I learned this, I also moved onto Zona paper to give that a go, and have used that for quite a while with good results. But not great results. Someone asked me to make a plain solid burgundy pen, and it's so easy to see every single scratch in the right light. I've been spending hours and days and weeks trying to polish this thing to a level I'm proud of. The problem with both micro mesh and Zona paper is that I hit a certain level and then can't completely remove the previous grit. With Zona paper, I only just realized that the jump from light blue (1800) to pink (8000) is quite large, not following the rule of using no larger than 50% of the previous grit, so it's no wonder I've been unable to completely remove the 1800 scratches. After this realization, I went back to micro mesh, since they have many intermediary grits, but once I get up to 6000 grit, I still can't remove the previous 4000 grit scratches completely, even after 30 minutes of sanding with 6000 (I tried sanding laterally with 4000 until all previous sanding marks were gone, so I could sand with the lathe spinning at about 800 rpm using 6000 grit, but that didn't work. I tried sanding with 6000 at 2000 rpm using a spray bottle to keep it cool, and even that didn't do the trick).

One night I had what I thought to be a brilliant idea to use my work sharp belt sanding tool grinder to sand laterally as a way to brute force remove any previous grit, and it worked in the sense that it was faster than sanding laterally by hand, but once getting to the higher grits it wasn't removing the previous ones - though in this case I didn't have belts that followed the 50% rule. So then I had an idea to attach sandpaper to my drill, which apparently is something I've since discovered a lot of people do, and there's even kits with velcro pads you can attach to a disc you chuck up in the drill. I tried this with an Amazon kit that had 1200 / 2000 / 3000 / 5000 / 10,000 grit pads, but still no luck.

I continued research and discovered some people use something called passive sanders. Rather than rely on a drill/dremel tool to spin the sandpaper, you allow the lathe to spin the blank which then spins the sandpaper disc (just attached to a handle via ball bearing) so I've tried this as well (alternating between the passive sander and just sanding on the lathe so I can see the difference in the line patterns to know when the previous grit is removed) but again can't remove the previous grit around the 6000 mark (rather than use the Amazon pads, I bought some real micro mesh Velcro pads that I cut into 2" circles and attached to the passive sander).

I've attached some pictures of the results of using the passive sander, going up to 12,000, but not being able to remove all of the previous grits from around 6000. I used the Magic Juice on it to see what would happen, and as you can see it's shiny, but the sanding lines are still visible. My wife thinks it looks great, but I think anyone who really cares about getting a quality finish will know it could be better - so I'm hoping someone can help me figure out how to make it better!

I'm terribly sorry for the wordy post. I just don't know how else to communicate all the things I've tried.

Have a great day!
I stopped dry sanding and switched to abranet (wet). It makes for a clearer finish. I then switch to the Zona paper. After that I use Hit's plastic polish but I don't know if you can still get it.
 
Learned something about urethane materials. I wipe the blank with a damp cloth between MM applications. Have loads of old towels so I can rotate the used area.
 
Thank you all so much for your insights and help! I'm leaving for Europe in a few days, so I'm going to cast another burgundy blank and:
  • Let it cure for the 2 weeks I'm gone (thanks @its_virgil, and yes I do sand length wise). Usually I'm impatient and start turning a fresh blank within 1-5 days.
  • No dry sanding (thanks @egnald, if I can figure it out such that I only need to sand for 20-30 seconds for each grit like you mentioned, I'd be ecstatic). I'll start with 1500 micro mesh.
  • Use a light touch (thanks @leehljp). I usually do apply pressure, especially if I see that the previous grit is taking longer to come out, then I'll squeeze harder - I think having more intermediate grits is a better idea.
@JohnU the Gluboost method sounds really intriguing to me. Do you use the Fill 'n Finish? I was a bit weary of doing this because I'm now combining two products together which seems like it could cause problems later on (just thinking of temperature changes over time causing some separation). The idea of having a harder surface that's more resistant to wear sounds pretty nice though. And if it makes it easier to polish then that would be awesome.

@Tj_boddy I didn't know you could use abranet with wet sanding, thanks!
 
Yep, Fill and Finish is made exactly for this purpose. It will hold up much longer than the resin surface. It's flexible so it doesn't crack with use like other brands as it hardens.
 
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