Texatdurango
Member
I recently had lunch with some ex-co workers who wanted to see some of my pens.
I have been increasingly drawn to the stabilized burls, to the point that is 80% of what I turn now. A question one of my friends asked got me to thinking. She said all my pens were pretty but did I have any wooden ones! Obviously she didn't realize the burls are wood but with most having the glossy CA finish, to the "non-pen maker" they looked like some of the acrylics I have.
So.... when turning a burl (or any blank) that has small voids or grain depressions, do you think it best to fill them with CA or sawdust/CA to afford a glass like smooth finish or do you let the grain depressions and occasional small void stay to serve as a reminder that it is indeed real wood?
George
I'll use this as an example, would you have filled this or leave it as I did?
I have been increasingly drawn to the stabilized burls, to the point that is 80% of what I turn now. A question one of my friends asked got me to thinking. She said all my pens were pretty but did I have any wooden ones! Obviously she didn't realize the burls are wood but with most having the glossy CA finish, to the "non-pen maker" they looked like some of the acrylics I have.
So.... when turning a burl (or any blank) that has small voids or grain depressions, do you think it best to fill them with CA or sawdust/CA to afford a glass like smooth finish or do you let the grain depressions and occasional small void stay to serve as a reminder that it is indeed real wood?
George
I'll use this as an example, would you have filled this or leave it as I did?